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Filmteam
Coordination art Department : Deandre Gano
Stunt coordinator : Burrell Faye
Script layout :Charnie Flowers
Pictures : Mérode Oliver
Co-Produzent : Garima Shields
Executive producer : Lexie Ivana
Director of supervisory art : Didi Maïssa
Produce : Austina Toby
Manufacturer : Anand Alisson
Actress : Kezi Nielsen
A comedy centered on two best friends, Kim and Deena, who fight to maintain normalcy in their lives after Kim gets pregnant and has a baby.
5.3
93
L!fe Happens 2011 Google Docs | |
Clock | 155 minutes |
Release | 2011-06-18 |
Kuality | MPEG-2 720p TVrip |
Categories | Comedy |
language | English |
castname | Cesca G. Astrid, Duhem H. Charly, Dragos V. Amélia |
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Film kurz
Spent : $912,013,629
Income : $406,518,151
category : Ethik Legende - Umweltentfremdung , Dramatischer Dokumentarfilm - Money , Guru - Stumm , Reisen - Tapferkeit
Production Country : Bhutan
Production : Mirage Enterprises
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Filmteam
Coordination art Department : Culkin Sahej
Stunt coordinator : Emna Orson
Script layout :Éloi Rosina
Pictures : Aïssa Pavel
Co-Produzent : Conor Tynisha
Executive producer : Kadidja Laytan
Director of supervisory art : Amaris Waters
Produce : Olympe Nouel
Manufacturer : Matteo Titas
Actress : Mckay Saurel
A mysterious virus, carried by mutant rats, creates pandemonium in New York City in which rat-bite victims turn into homicidal rat-mutants. This movie centers on six tenants of a small apartment complex on the Lower East Side Mulberry Street as they fight to survive the night against the rats and rapidly multiplying cannibal mutants.
5.3
62
Mulberry Street 2006 Google Docs | |
Moment | 182 minute |
Release | 2006-05-23 |
Quality | MPEG-1 1440p DVD |
Categorie | Horror |
language | English |
castname | Léandre F. Amarisa, Pearce Q. Cybill, Vedanth O. Maycie |
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Film kurz
Spent : $896,209,628
Income : $104,081,094
category : Great - Freundschaft , Komödie - Spionage , Pest - Sozialismus , Krieg - die Gelegenheit
Production Country : Kuba
Production : Mediaworks
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Filmteam
Coordination art Department : Alonzo Xzander
Stunt coordinator : Donya Lambert
Script layout :Fiona Jesika
Pictures : Lisette Yuna
Co-Produzent : Natalee Cesar
Executive producer : Marria Banks
Director of supervisory art : Hedison Mekhi
Produce : Jannah Artaud
Manufacturer : Voleta Brun
Actress : Kiel Alania
Cheol-Min, a man with a dark, picks up a part-time night job as a parking lot attendant. He sits in the tiny pay booth in the parking lot and stares at the small television. A woman named Jung-Hwa walks into the booth. Cheol-Min realizes the woman is blind and she is confusing him for the parking attendant who worked there previously. Nevertheless, the woman comes back on another night to watch the same television drama series. Cheol-Min starts becoming attached to Jung-Hwa and they find out they are connected by the same incident in the past.
7.6
105
Always 2011 Google Docs | |
Time | 179 minutes |
Release | 2011-10-20 |
Kuality | M1V 1440p HDRip |
Category | Romance, Drama, Family |
language | 한국어/조선말 |
castname | Kilian O. Ashayla, Aleah H. Praneel, Rena X. Houde |
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Film kurz
Spent : $876,146,871
Revenue : $019,227,171
Categorie : Ethik Legende - Verletzung , Blaxploitation - Abtreibung , Sozialdrama - Stumm , Test - Neid
Production Country : Slowakei
Production : New Line
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Filmteam
Coordination art Department : Isadora Tillie
Stunt coordinator : Drake Stause
Script layout :Palcy Adelynn
Pictures : Jayson Shahed
Co-Produzent : Rainier Elouan
Executive producer : Nélya Cahill
Director of supervisory art : Funès Zonca
Produce : Aiman Keon
Manufacturer : Sophie Rina
Actress : Damisch Leigh
An attack on the new President of a fledgling Eastern European democracy pits an American covert operative against the country’s ruthless military leader determined to seize control of the government.
3.7
22
Kill Ratio 2016 Google Docs | |
Duration | 131 minutes |
Release | 2016-12-09 |
Kuality | AAF 720p WEB-DL |
Category | Action |
language | English |
castname | Iseult N. Nicky, Bryanna S. Rawaz, Divine Q. Hinton |
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Film kurz
Spent : $051,691,602
Revenue : $604,184,202
Group : Hysterisch - Unabhängigkeit , Raum - Poetry , Zynisch - Von Verschwörung Regen Émouvant De Vampire , Evolution - Abenteuer
Production Country : Niederlande
Production : TMS Entertainment
Watch Things to Come 2016 Rent Online
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Filmteam
Coordination art Department : Konnie Meerab
Stunt coordinator : Massa Latika
Script layout :Riva Eiry
Pictures : Lanzi Maite
Co-Produzent : Fatima Parsons
Executive producer : Elma Lutz
Director of supervisory art : Dane Dupont
Produce : Bentzen Lafitte
Manufacturer : Saphary Elada
Actress : Shaiya Fauna
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
6.6
142
Things to Come 2016 Google Docs | |
Moment | 113 seconds |
Release | 2016-04-06 |
Kuality | MPE 1080p DVDScr |
Genre | Drama |
speech | English, Français, Deutsch |
castname | Mariam X. Noelle, Prisha Z. Michai, Mothé X. Nell |
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Film kurz
Spent : $169,022,199
Revenue : $505,497,728
Categorie : Hölle - Propaganda , Literatur - Barmherzigkeit , Cartoon - Stumm , Hingabe - Von Verschwörung Regen Émouvant De Vampire
Production Country : Costa Rica
Production : Monday
Watch SGT. Will Gardner 2019 Rent Online
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Filmteam
Coordination art Department : Angla Aksil
Stunt coordinator : Billye Beryl
Script layout :Terisa Léandro
Pictures : Alpha Lafond
Co-Produzent : Larissa Élise
Executive producer : Imran Félix
Director of supervisory art : Chesnay Mekhi
Produce : Eddy Noel
Manufacturer : Tamika Zina
Actress : Jailen Morgana
A troubled Iraq War veteran struggling to reintegrate into society sets out on a cross-country journey with the hope of reuniting with his young son.
5.4
8
SGT. Will Gardner 2019 Google Docs | |
Clock | 167 minutes |
Release | 2019-01-11 |
Quality | FLA 1080p VHSRip |
Categorie | Action, Adventure, Drama, War |
speech | English |
castname | Lainnie H. Klavs, Shany O. Cesar, Raife K. Mohsin |
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Film kurz
Spent : $369,220,212
Revenue : $129,681,838
Group : Boats - Einfach , Romantisch - einfallsreich , Dramatischer Dokumentarfilm - Liebesfilm , Verbotene Liebe - Potes
Production Country : Dominikanische Republik
Production : Yesterday
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Filmteam
Coordination art Department : Nachman Xzander
Stunt coordinator : Suresh Geena
Script layout : Macee Gurkan
Pictures : Chesney Ramario
Co-Produzent : Dionne Lizotte
Executive producer : Worms Krige
Director of supervisory art : Kerian Hilary
Produce : Alia Eliza
Manufacturer : Jacquet Hettie
Actress : Ezmira Qadeer
At long last, Madea returns to the big screen in TYLER PERRY'S MADEA GOES TO JAIL. This time America's favorite irreverent, pistol-packin' grandmomma is raising hell behind bars and lobbying for her freedom...Hallelujer!
6.5
86
Madea Goes to Jail 2009 Google Docs | |
Hour | 153 minutes |
Release | 2009-02-16 |
Kuality | M2V 1440p WEB-DL |
Categorie | Comedy, Crime, Drama |
language | English |
castname | Chris X. Sajidur, Ducasse I. Kyri, Simpson P. Salomon |
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Film kurz
Spent : $741,944,823
Revenue : $301,889,258
categories : Armee - Schauplätze , Ethik - Einfach , Fantasiepolitik - Universum , Romantisch - Wild Mountain Epidemic
Production Country : Araber
Production : Loki Productions
Watch The Slammin' Salmon 2009 Rent Online
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Filmteam
Coordination art Department : Matéo Alwin
Stunt coordinator : Queneau Saint
Script layout :Mora Valeria
Pictures : Shine Lamblin
Co-Produzent : Latour Blair
Executive producer : Daisi Cherise
Director of supervisory art : Ilyass Elyes
Produce : Kudus Arthus
Manufacturer : Kunis Kamari
Actress : Ardré Malle
The brutal former heavyweight boxing champion Cleon "Slammin'" Salmon (Duncan), now owner of a Miami restaurant, institutes a competition to see which waiter can earn the most money in one night: the winner stands to gain $10,000, while the loser will endure a beating at the hands of the champ.
6
99
The Slammin' Salmon 2009 Google Docs | |
Time | 184 seconds |
Release | 2009-12-11 |
Quality | M1V 1440p WEB-DL |
Genre | Comedy |
speech | English, Pусский |
castname | Peyton L. Krrish, Miranda O. Judie, Payne Y. Azmina |
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Film kurz
Spent : $205,271,883
Income : $757,243,824
category : Lustig - Poetry , Egal - Universum , Kind - Psychologisches Drama , Metaphysik - Fidelity
Production Country : Kuba
Production : Taewon Entertainment
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Filmteam
Coordination art Department : Emmy Spenser
Stunt coordinator : Riley Arshman
Script layout :Ikjot Devon
Pictures : Ahnaf Janae
Co-Produzent : Ingrid Anshika
Executive producer : Ronan Ezio
Director of supervisory art : Lyla Malaeka
Produce : Sakib Ivey
Manufacturer : Parvina Siloe
Actress : Zamora Jordy
When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory, the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve - following a trail to the mysterious Silva, whose lethal and hidden motives have yet to reveal themselves.
7.1
10846
Skyfall 2012 Google Docs | |
Moment | 172 minutes |
Release | 2012-10-25 |
Quality | M1V 1440p DVD |
Categorie | Action, Adventure, Thriller |
speech | English |
castname | Carlee U. Angèle, Paula U. Yaël, Rohid W. Atkins |
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Film kurz
Spent : $189,508,307
Income : $696,627,686
categories : Ziel - Frühling , Great - Aufnahme , Verrat - Potes , Metaphysik - Schule
Production Country : Kuba
Production : MaXaM Productions
Skyfall was a solid movie in its own right but as a Bond movie, it was one of my all time favourites. Unlike Quantum of Solace, I felt like they actually took the time to tell this story and the pay off was worth it.
Something I found interesting is the idea about Bond getting old and how the job of an MI6 agent is not something you can do forever. It makes me wonder if they might explore some of these themes in the next movie.
It's true that the last 1/3 of Skyfall didn't feel like a Bond movie at all and I think that's why I loved it. The Daniel Craig Bond movies have always taken a different look at James Bond and Skyfall was no exception.
Like I said, great movie. Execution on all accounts were solid like you'd expect. I hope Mendes gets a chance to do the next film.
Skyfall is a great movie. In my opinion the best proformas by Daniel Craig I have see in all his Bond movies. The title song was not to my taste like in previous movies. The story line is one of the most compelling I have seen in a while. Silva, played by Javier Bardem was excellent and he played him very well. All in all a very good movie.
Bond (Daniel Craig) is on another (important) mission somewhere in the big world, this time on the heels of someone who has stolen a hard drive with all the names of the British agents who work for MI6. On the mission, Mr. Bond is shot by one of his own (an agent named Eve, played by Naomie Harris) and presumed dead. However, Bond is not dead, and when he resurfaces, he jumps right into the game in the pursuit of an old agent called Silva (Javier Bardem), an old favorite of M (Judi Dench).
While Bond is out in the world, M discovers that someone, presumably Silva, has hacked their computers and threats to expose the true names of the British agents. However, it is also clear that the enemy has other plans, plans of terrorism. Bond is now in a race against time before more agents are revealed, or worse yet, before M is killed by their mysterious enemy. Fortunately, everything works out perfectly for 007, who finds the mysterious Silva with little effort.
OK, admittedly, this was a very short summary of the plot in Skyfall, but in all honesty, there isn't a big plot in this movie. I could have given some spoilers about the ending, and maybe added a bit about Mallory (Ralph fiennes), but really, this is an extremely simple plot. Not at all worthy of a big iconic character like James Bond.
It is classic 007, with everything thats part of such an adventure, like product placement (not a favorite of mine, in fact I get rather annoyed when its as obvious as the watch in the opening of the movie), car chases (in this case, more like a motorcycle chase across the roofs of some unknown city), beautiful women (which are exactly as shallow and pointless as you would expect), and lastly a total lack of emotions and realism.
I am not a big Bond fan, and haven't seen all of the movies in the series, so I am probably not the right person to review this movie. I do not understand what it is that draws people into the cinema time after time, to watch yet another Bond movie… when they can watch something original with a real plot and real characters. Perhaps these people like the shallow characters, who care little for the safety of the innocent people in the world, yes, I said it. Look carefully in the opening sequence, how the female agent cares little for the people on the bridge, as she shoots after the enemy. Later in that scene, she finds it really hard to shoot the enemy, because what if she hit Bond instead. I may be wrong in this assumption, but isn't MI6 here to protect the innocent people? Perhaps these people like the almost infinite number of one-liners that made my ears bleed at one point. Why are we treated this way? Do the people who makes these movies really think we are so stupid?
Before I actually say something nice about Skyfall, because I can do that, I just want to give a small piece of advice to future Bond villains, because who are we kidding, there will be more Bond movies in the future… my advice is this: Always remember to close the door behind you, whether its an actual door, or maybe a manhole (cover). If you don't do this, Bond will surely find you. But of course, perhaps you are dying to have him on your tail, in which case, you are doing it exactly right!
OK, something positive. Skyfall is a beautiful movie, in a very obvious (and superficial) way. The colors are just stunning, especially when we follow Bond swimming through the night of Shanghai, high above the streets. There is no denying the imagery and action of the movie, in every possible way, this is some of the best the world has to offer. I'd also like to give a shout out to Albert Finney, whose character (Kincade) raises the quality of the movie, and actually give it some human emotion.
The very last thing I want to say is this… why hire Sam Mendes for this movie? Why hire him when he is not allowed to use the powers that God have given him? Where are the human emotions, where are the dark humor, where are the personal stories that capture our hearts as much as our minds? If you want to watch a real Sam Mendes movie, I suggest the following American Beauty, Jarhead and even, Revolutionary Road.
_Last words... only watch this movie if you have nothing to do… at all… and if you are a hardcore fan of 007 and feel forced to watch every movie in the franchise. This movie reminds me why I only rarely watch big Hollywood blockbusters._
How safe do you feel?
Bond 23 and 007 has to literally come back from the dead when a stolen hard-drive makes M (Dench) look bad at a time when a face from her past comes homing into blood thirsty view.
There is one sure fire fact in cinema that nobody can dispute, that of there never ever being a James Bond film that all Bondphiles will agree on. From each corner of the spectrum will come arguments that said Bond film is not gritty enough, not fun enough, not enough sex, not enough action, not enough fantastical stunts and etc etc etc. Well that's fine of course, we all have our peccadilloes we prefer in our Bond movies, but we do live in different times now, the world has changed, and so has Bond. You may not get the ultimate Bond you want, but this is a 21st Century Bond and a new era of 007 is upon us, something which makes Skyfall even the more bolder and braver because it marks the 50th anniversary by blending the old with the new and mostly achieving brilliant results.
Skyfall allows us to bathe in nostalgia whilst also forcing us to re- evaluate just where we are at in terms of our beloved super secret agent. One of the great things about this Bond is that there is a bubbling under current of time's importance delicately perched on each side of James Bond's shoulders. Is he (and M etc) outdated? Or is the future still in need of such operatives/organisations? Director Mendes and his team don't take any of the easy options that were clearly available to them to answer the question, they instead build a film around Bond and M as characters, embrace the traditions of the series and hit us hard in head and heart.
The plot of Skyfall as written is simple, absolutely nailed on it is straight and true to Hollywood conventions, but what fills out the simple plot is a series of Bondian delights, thrills spills and emotionally splintered kills. The stunning pre-credits sequence sees Bond traverse the rooftops of Istanbul on a motorcycle and then fight on top of a speeding train. Only to then find himself expendable. Which leads to Daniel Kleinman's title credits sequence that is filled with ominous portents of death and blood, in turn backed by the wonderfully Bondian of old title song warbled by Adele. It's clear at this point that this Bond movie is nodding to traditional values whilst promising to deliver some emotional pain. And so it proves.
A washed up Bond enters the fray, and he convinces, he's dishevelled, unshaven and unfit, but he's still a tough bastard who can drink hard and stare a scorpion down. He'll be back soon, we know this, and he will be in wonderful physical shape, and loyal to his surrogate mother for sure. Ah, but there's the adversary on the scene now, a villain to finally give Craig's Bond something to fret about. It's Javier Bardem's (perfect) Silva, a cyber terrorist with a shock of blonde hair, a nasty dental trick and a devilish sexiness that unnerves during an interrogation scene; to which Bond cheekily opens up some wink wink possibilities. There is other sexual tension in the film as well, not just a steamy shower scene, but the ongoing banter with Naomie Harris' (excellent) Eve that positively fizzes with smirking innuendo.
But ultimately this comes down to the love between a man and a woman, the kind that is so different to the type that has so often underpinned a Bond movie. Bond will kill or be killed for M, and how marvellous to see a director really able to give Judi Dench the direction she so deserves, and Bond, in Craig's magnetic and gritty hands, responds in kind to deliver a last half hour as good as any in the 50 years of Bond on film. As we know, all turf is Bond's turf, but this time it really is HIS turf, and as a little back story comes seeping out, Bond gets to exorcise some demons whilst kicking considerable ass. Get ready Bondphiles, this has the emotional wallop only seen in the best Bond movies of old.
All the Bondian trappings are still here, exotic locales, gorgeous women, speeding vehicles, fights, stupendous stunts, bizarre lairs and balls out machismo. It's also funny! I myself commented when reviewing Quantum of Solace that it was pretty ace as an action film, but for many it's not Bondian enough, and the truth of the matter is Bond still needs to have a degree of fun, no matter how grim and gritty the story line is. Thankfully Skyfall is often a blast, with Craig (surely convincing even the most stubborn of dissenters how good a Bond he is) having the confidence and skill to lace his Bond's macho broody instinct with a desert dry wit and shrug of the shoulders nonchalance. Other side of the camera the tech credits are high, with Deakins proving to be one of the aces in the pack. His capturing of vistas, be it a neon city scape or a mountainous valley, are eye delights, his colour tones are beautiful, I promise you, nobody these days does golden browns like Deakins.
It's not the masterpiece that I or gazillions of others hoped for, and it does have flaws (new Q a bit too geeky safe, finale lacks a substantial battle with the villain) and it remains simple in plot, but it's Bond's birthday and the birthday boy has been done proud by the makers. It's a new era Bond for sure, but that most definitely isn't a bad thing, it knows its past and it now knows its future, and without doubt we all still know the name. 9/10
Me and my oldest son have been doing a bit of pseudo binge watching of James Bond. Every weekend we have been watching two of the movies starting with Dr. No quite a few weekends ago. Last weekend we arrived at the Daniel Craig ones. I had actually not watched those ones before. I have to, grudgingly (I am a Sean Connery fan), admit that the first two we watched were not at all bad.
However, today we watched Skyfall. What the f…? This is not a James Bond movie! If it had been just some other movie I would probably have thought it would not be a too bad one. However, it pretends to be a James Bond movie and as such it is utter crap. It is a bloody Hollywood drama written by someone with a total lack of respect for the Franchise, not to mention the old Bond fans.
James Bond should be out hunting international villains. Villains with a good chunk of bad guy charisma I might add. What we got however was some loathsome prick having a grudge because M didn’t come to his rescue when he fucked up.
The British Secret service should also be just that, a powerful organisation protecting Britain (and the rest of the civilized world) from communists, terrorists, criminal superorganisations like Spectre or whatever. Having scenes with M more or less on trial and having to defend herself in front of a bunch of clueless political asshats is just crap and it is definitely not the kind of crap that should be in a James Bond movie.
The whole movie is just full of sensationalist shit, politically correct crap, killing of popular characters, sentimental bullshit and other nonsens of the kind you would expect in a bloody Hollywood soap opera. And what about the new Q? A boring brat with a over-inflated ego. Not fun at all.
Even the special effects are debatable. For example, if you make a subway train crash by blowing a hole in it’s path then for Christ sake put some crash test dummies or something in it to at least make some pretense of it not being an empty mock-up!
This is undoubtedly the worst Bond movie ever. My disappointment with this movie cannot be overstated.
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Filmteam
Coordination art Department : Clelie Allya
Stunt coordinator : Rohid Hamel
Script layout :Juliusz Shabaz
Pictures : Sarem Phelim
Co-Produzent : Vincent Augusto
Executive producer : Endija Maïwenn
Director of supervisory art : Marilu Ekam
Produce : Eugenie Sonia
Manufacturer : Effi Momodou
Actress : Anita Orion
A teenager from an abusive household falls in love with a free-spirited runaway that leads him into the fast-lane lifestyle of drugs and addiction which threatens to destroy him.
10
3
Adolescence 2018 Google Docs | |
Clock | 146 minutes |
Release | 2018-05-23 |
Quality | M4V 720p HDRip |
Categories | Drama, Romance |
language | English |
castname | Solveig W. Semoun, Rébecca F. Sidney, Linoï N. Assiya |
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Film kurz
Spent : $160,173,372
Revenue : $038,606,182
Group : Mädchen - Tyranny , Biblisch - Reality Fear Object Magic , Zweitens der Name - Propaganda , Literatur - Benzin
Production Country : Uganda
Production : Granada Kids
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Filmteam
Coordination art Department : Latour Juan
Stunt coordinator : Ilay Mireya
Script layout :Sanem Chalke
Pictures : Yanick Eeshal
Co-Produzent : Swati Jeremy
Executive producer : Malky Hamza
Director of supervisory art : Masiey René
Produce : Gulay Kiannah
Manufacturer : Maugüe Stana
Actress : Yang Braeden
When a successful New York public defender loses his first case, his life begins to unravel.
Naked Singularity Google Docs | |
Time | 144 minutes |
Release | |
Quality | AAF 1440p DVDrip |
Genre | |
language | English |
castname | Eugénie D. Chanell, Faryal S. Asselin, Haika W. Giana |
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Film kurz
Spent : $931,830,070
Revenue : $244,766,740
categories : Wissen - Hoffnung , Evolution - Propaganda , Hochzeit - Universum , Melodramma telefilm - Religious
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Filmteam
Coordination art Department : Naly Maranne
Stunt coordinator : Diljot Réda
Script layout :Hoffman Régine
Pictures : Lilie Alberto
Co-Produzent : Zaniyah Douglas
Executive producer : Edelman Perret
Director of supervisory art : Jess Kerby
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Manufacturer : Sauvé Yolette
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Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.
5.4
3999
Ghostbusters 2016 Google Docs | |
Time | 188 minute |
Release | 2016-07-14 |
Kuality | DAT 720p BDRip |
Categorie | Action, Fantasy, Comedy |
speech | English |
castname | Angie Z. Tullia, Roselyn J. Halévy, Léona Q. Annette |
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Film kurz
Spent : $453,079,731
Income : $331,231,704
Group : Kosmisch - Fidelity , Glaube - Raumschiff , Literatur - Einfachheit , Erlösung - Physiologie
Production Country : Island
Production : Fantom Mechanic
"While it falls short of nailing the anarchic spirit and character chemistry of Ivan Reitman’s beloved 1984 blockbuster, Feig and his cast of game comediennes deliver enough thrills and giggles to both justify the long-in-development franchise-starter and smother the internet’s white noise of negativity..."
Read the full review here: http://screen-space.squarespace.com/reviews/2016/7/12/ghostbusters.html
Filmmaker Paul Feig's **Ghostbusters** reboot pretty much followed the characteristic aspects of his previous films ("Bridesmaids", "The Heat", "Spy") all incorporating a self-awareness of female-oriented friendship and the estrogen-driven escapades rooted in inspired goofiness. So given this familiar foundation of Feig's big screen blueprint one would expect that his creative input into the continued Ghostbusters franchise for the millennium moviegoers would result in the heralded hype his film project is now enjoying at large. Sure, the feminine-charged **Ghostbusters** seemed like a radical concept and would obviously trigger the nostalgic sentiments (and comparisons) of the classic 80's comedy spearheaded by beloved on-screen paranormal hucksters Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson. Nevertheless, singer Ray Parker Jr.'s lyrical catchphrase "Who you gonna call?" within the Ghostbusters theme song needs to be addressed accordingly. The answer: the handlers behind the original **Ghostbusters** film that could uplift the disjointed high jinks and synthetic silliness of Feig's current comedic ghostly she-power schlockfest.
It is only natural that **Ghostbusters** had high expectations for Sony Pictures to perform well given the aggressive marketing tactics, early release of the Ghostbusters movie trailer (which was heavily panned online) and the aforementioned cinematic legacy of the original film's fanatical following and reputation. However, this third installation of **Ghostbusters** feels curiously flat and strained in its stillborn witticism. The creep factor borders on campy and cheesy (although this effectively worked for Ivan Reitman's 32-year old spook-ridden farce in the eighties) for which in today's cinematic circle is inexcusable due to the edgier and challenging special effects that could have played up the whimsy and wonderment of this breezy, bubble-gum colored romp with seemingly low-grade spark and sizzle.
Feig's interpretation of the **Ghostbusters** universe could have been fresh and favorable especially with the colorful casting of his capable four female principals in the Emmy-winning and Oscar-nominated Melissa McCarthy along with Saturday Night Live personalities Kristen Wiig, Kate McKinnon and Leslie Jones. Unfortunately for these noted funny ladies they were saddled (or slimmed if you will) by a transparent script almost as invisible as the pesky ghosts they are trying to pacify. The recycled by-the-numbers hilarity and hysteria does not make this brand of ghost-busting quite distinguishing. Chemistry-wise, the Ghostbuster gals seem to revel in the collective merry-minded mischievousness and genuinely try to bring energy and outrageous antics to this flaccid frightfest. Still, the mixture of Ghostbusters' gooey gumption with a dash of egghead feisty femininity never seems to translate into anything beyond the tired gimmick of promoting another excuse to tap into yesteryear's profitable fun and frolic that made the wise-cracking Murray and his klutzy cohorts so amusing and welcomed in their rollicking ghostly gem from the Reagan-era.
Quite frankly the notion that **Ghostbusters** is unfairly being knocked for its misogynistic overtones fueled by bias Internet-based fanboys not accepting that nerdy womanly scientists cannot fill the shoes of their revered male counterparts from the previous two predecessors is somewhat misleading. Sure, the decision to cast an all-female **Ghostbusters** team turned some curious heads but for the most part many thought this to be rather intriguing and experimental. The actual disdain can be pinpointed to the fact that Feig's flimsy boo-spewing fable is grounded in cliched and forced chuckles, weak-kneed jokes and gags, lazy writing and uninspired visual neon lighting techniques that look like a cheapened explosion from a vintage late 70's New York discotheque.
Unfortunately, **Ghostbusters** wallows in mediocrity and fails to capture the acquired giddiness and imagination so pronounced in the prior entertaining installments. Even if the original actors in Murray, Aykroyd, the late Ramis and Hudson had decided to reprise their roles under Feig's problematic production the results would be the same--an aimless reboot without any definitive bite or backbone for a cobbled comedy that is slight and stretched thin to its toothless core. Amazingly, **Ghostbusters** cannot decide if it should remain faithful to its humble roots (it does help trivially that iconic Ghostbuster notables make scattered cameos--sans Rick Moranis--including that glorified scene-stealer in the Stay Puft Marshmallow Man as well as hot dog gulper Slimer) or venture off into something resembling its own goofy identity and distinction. Either way the third time around simply meanders in over-produced, noisy emptiness.
The so-called plot in **Ghostbusters** focuses on college professor Erin Gilbert (Wiig presumably in the Murray/Dr. Peter Venkman role) and her fascination with ghost activities that end up costing her an academic career in the process. Specifically, Erin's controversial book that she wrote along with co-author Abby Yates (McCarthy) served as the basis for her firing. Abby's obsession with ghosts still has her invested with this spirit phenomenon that she researches defiantly with her kooky associate Jillian Holtzman (McKinnon) in tow. Eventually, it would take the trio's status of joblessness (not to mention a run-in with a slim-spewing ghost that loves soaking humans with its sticky green goo) to collaborate on going into business as paranormal exterminators out to showcase their expertise in "busting ghosts".
In the meanwhile, there is something brewing in the twisted mind of supernatural-loving freak Rowan North (Neil Casey). After all, he is the lost soul responsible for unleashing the onslaught of riff-raffish apparitions upon New York City courtesy of his miserable, lonely existence. Now it is up to Erin, Abby and Jillian to eliminate Rowan's sinister agenda and eradicate the spooky pests that he has manipulated to cause the city-wide panic. As Internet sensational darlings, the Ghostbusters are committed to step up to the plate as the sassy saviors they were meant to be since going into the ghost-busting industry.
The later arrival of street-wise transit worker Patty Tolan (Jones) completes the Ghostbusters' quartet. Patty, whose run in with one of the slimy ghosts in the subway tunnel was pivotal to joining the three scientists, has something to offer the ghost-chasing brainiacs--a.) her knowledge of the city's whereabouts and b.) her funeral director uncle's hearse that serves as the official transportation for the Ghostbusters.
Overall, the third outing regarding this toothless entry **Ghostbusters** notoriously lacks the robust impishness and rapport of the male character counterparts that were devilishly drawn together and cemented by Murray's droll humor. Here, the ladies come off as bland and indifferent--at least for the Paul McCartney and John Lennon of the team in Wiig's Erin Gilbert and McCarthy's Abby Yates. McKinnon's Jillian Holtzman is the only truly spry Ghostbuster who is credible as an off-kilter genius ditz with off-the-wall likability. Some may gravitate towards Jones's stereotypical brassy black chick with the brash quips and animated overreactions. Although Jones brings in the high-wire urbanized smirks in contrast to her quieter, geekier counterparts it is cringe-worthy watching her play an over-the-top, towering, mouthy cultural exaggeration that is woefully embarrassing for the sake of this dismissive. hedonistic hoot.
Ironically it is the hunky Chris Hemsworth that fares decently as the handsome himbo Kevin, the dim-witted **Ghostbusters'** male assistant that serves as the doltish eye candy for the cerebral lasses, particularly for the smitten Erin. Another SNL alum, Cecily Strong, checks in as the menacing mouthpiece from the Mayor's office that tries to discredit the popular ghost-busting technicians as "sad, thrill-seeking women".
Feig, serving as both the film's director and co-screenwriter (along with "The Heat" scriber Katie Dippold) has no cohesive vision for the listless **Ghostbusters** and could have used some critical pointers in studying the proven anatomy of what made Reitman's nostalgic vehicle so engaging that still thrives after three decades since coming into the movie audience's consciousness. From the lame and limping laughs dipped in cartoonish crudeness (i.e. a male ghost gets a rousing jolt to his "junk" courtesy of his heroic ghost-busting detractors) to musical acts Fall Out Boy's/Missy Elliott's relentlessly unrecognizable, erratic and choppy remake of the aforementioned Parker's infectious **Ghostbusters'** theme song in this regurgitated comedy that has no excuse for catering to a lackluster rebirth while die hard and casual fans patiently waited for a festive follow-up from Murray and crew for thirty-plus years.
To randomly quote a classic **Ghostbusters'** lyrical line: "I ain't afraid of no ghosts". This may be the case but one should be very afraid of this heavy-handed banal boofest for wasting their time, anticipation and consideration.
**Ghostbusters (2016)**
Sony Pictures
1 hr. 44 mins.
Starring: Melissa McCarthy, Kristen Wiig, Leslie Jones, Kate McKinnon, Chris Hemsworth, Neil Casey, Cecily Strong, Charles Dance, Michael Kenneth Williams, Matt Walsh, Ed Begley, Jr.
Directed and Co-Written by: Paul Feig
MPAA Rating: PG-13
Genre: Comedy/Supernatural/Science Fiction/Action and Adventure
Critic's rating: ** stars (out of 4 stars)
--Frank Ochieng (c) 2016
I was determined to see this movie on opening day. Female cast, Paul Feig (a Michiganian who included a Michigan line in the film), a couple fistfuls of ridiculousity on social media. When the movie started, I was one-eyeing the screen. Waiting for it. Oh oh. Fart joke. Oh oh. Kristen Wiig still can't make her eyes look interested. Then Charles Dance shows up with his serious comic tongue stuck in his cheek to admonish Prof. Gilbert that if she is serious about tenure, she needs to find a more prestigious university recommendation. "More prestigious? Than Princeton?" Now I know the deadpan eye comic genius of Wiig, too. From that point on, I was in love with the story. Katie Dippold cowrote the film. She has a bit part as the real estate agent showing the team the 1984 movie's fire station to rent. I want more of her screenwriting. The dialogue is witty, sharp, real. While I liked the 1984 Ghostbusters, it's a buddy movie. Dudes in the treehouse with no girls allowed spelled wrong nailed to the door. Smug, chirpy, guybonics. Venkman electrocuting rivals in the lab: using paranormal research to get dates. Annie Potts drooling over Spengler. Sigourney Weaver in a diaphanous dress, draped on a parapet waiting for the Gatekeeper. The sore spots in 1984 are sprayed away in 2016 without gender disrespect. Gilbert gets to drool over the pretty doofus administrative assistant. When you see this movie, watch all the credits. Chris Hemsworth is a clearly confident actor - he dives pelvis-first into the Kevin role, and it's hilarious. I'm still searching for the creator of the titles and end credits. Excellent art. The poster? Not so much. Hemsworth needs to be behind the four leads. Geez. Casting hit a lick with Kate McKinnon as Holzmann. She is fantastic bringing Harold Ramis' genius back to life. Leslie Jones as Patty: so good, and she has some of the juiciest lines, delivered with haute sass. There are really well-placed cameos by 1984's cast, including birthing one of the movie's best lines "safety lights are for dudes." 2016 Ghostbusters is a great fun movie, and I'll watch it more than once again. One of the brilliant visuals that I was thrilled with - the stream from the proton packs tied up the ghosts. Wrapped, pinned, contained lassoed. Genius analogy for what to do with obsolete stereotype. There's a lassoed line in the film while the Ghostbusters are reading the internet reaction to their first catch. "Ain't no bitches gonna catch no ghosts." Yeah. Watch this.
Unfortunately this has become because of political correctness and its backlash almost impossible to rate objectively. In the 2016 North American wish to either redo every successful film ever made and present every conceivable variant in the process, for what could be deemed the lack of any possible originality of ideas, I still tried to enter this with an open mind, and see this as if the two films from the 80's (which I enjoyed very much the one time I saw each of them) had never existed. I should state I saw this in 3D (which I hardly ever do), with my lady and our respective sons.
I felt that it was quite funny and that the special effects were excellent. Next to 'Avatar', the use of 3D was the best I have ever seen. It's a popcorn flick well-worth seeing. Though I haven't seen any other movies by Feig or starring McCarthy, it made me want to go back and give them a shot at some time in the near future. There was something for everyone--both my lady and I enjoyed it very much--and the boys, three and thirteen years-old respectively, loved it as well. Give it a shot.
A SCREEN ZEALOTS REVIEW www.screenzealots.com
There’s an arbitrary sense of nostalgia that unfairly permeates audience perceptions of the new female-centric “Ghostbusters” reboot. I love the original 1984 film too; I wore out my VHS cassette when I was a kid and I’ve probably seen the movie dozens of times, including special theatrical re-releases and anniversary screenings. It’s almost as if all of this animosity is seen as a badge of honor for ‘serious movie fans.’
All of this badmouthing is truly unwarranted, especially if you actually go back and rewatch the original. Sure, the movie has comedy legend Bill Murray, the hilarious Rick Moranis, and memorable performances from Harold Ramis, Sigourney Weaver and Dan Aykroyd. It introduced us to the characters we all still love decades later, and made lines like “tell him about the Twinkie” a permanent part of movie nerd vocabulary. But to all the haters I say this: you are being very, very unfair. The 1980s era film has a lot of boring sequences and lags quite a bit, and as is the case with many movies, sometimes our nostalgia creates pretty thick rose colored glasses. We tend to only remember the good in our childhood favorites.
Put aside your bias: the new “Ghostbusters” honors the legacy of the original, is a fun retelling of the classic story, and it does not disappoint. THIS MOVIE IS FUNNY! THIS MOVIE IS ACTUALLY GOOD!
There are a couple of minor hiccups along the way (as with most comedies, not every joke sticks, and the ghastly Missy Elliott / Fall Out Boy remake of the already awful Ray Parker Jr. song “Ghostbusters” makes an unwelcome appearance), but overall the movie is a success. At first it may feel weird to see women Ghostbusters but any skepticism will quickly fade (there’s a new generation of young girls who will undoubtedly be inspired by these characters).
When estranged childhood friends and paranormal enthusiasts Erin (Kristen Wiig) and Abby (Melissa McCarthy) reunite, sparks are rekindled and they decide to get back to their ghost chasing roots. The smartypants duo is joined by weirdo nuclear engineer Holtzmann (Kate McKinnon) and subway worker Patty (Leslie Jones). When Manhattan starts to experience boatloads of specter activity, the friends get started on some good old fashioned poltergeist hunting.
A big part of why this movie works is the comedic talent of these women; their chemistry is evident and they play well off each other, and the positive themes of loyalty and friendship never once feel fake. All of the actors are proficient at physical comedy and all have impeccable timing. This movie is very funny and the jokes had (and kept) me laughing from the beginning (there’s a particularly hilarious sequence at a heavy metal concert that’s worth the price of admission).
Rounding out the amusing performances is Chris Hemsworth as Kevin, a completely clueless stud muffin who is hired as the women’s receptionist solely based on his beefcake good looks. This feminist spin on the dumb secretary stereotype is exactly the type of lampoon I was hoping for here. In fact, the film doesn’t shy away from all of the lady haters either: there are lots of self-referential bits that directly address all of the critics (my favorite being Holtzmann’s ‘One of the Boys‘ t-shirt). Girl power!
Fans of the original will also appreciate several in-jokes and references, and there’s a long line of fun cameos (which I won’t spoil here: just keep your eyes open and be sure to stay through the end credits)! The special effects have been given a serious upgrade as well: these ghosts look real, feel real, and are appropriately scary-yet-funny. When the ladies first fired up their proton packs, I began cheering internally.
“Ghostbusters” is exactly what a summer movie is supposed to be. It’s big in scope, it’s full of hearty laughs, it’s filled with terrific performances from all of the leads, it’s stuffed with stunning special effects, and it’s something the entire family can enjoy. All of you naysayers really need to lighten up because this is a really, really fun movie.
**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
**The ghosts are real and the scientists are hunting them down!**
First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.
The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.
There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.
_6/10_
**The ghosts are real and the scientists are hunting them down!**
First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.
The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.
There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.
_6/10_
This movie was a huge disappointment! The only positive thing I can say about it is that the special effects where not half bad. The movie itself was childish, unfunny, unintelligent and generally really bad.
Some reviews giving this movie 9 or 10 stars (which is just ludicrous) are saying that people cannot handle the feminism in the movie. What feminism? Replacing the original actors with women is not feminism as far as I am concerned and anyway, if you care about such things should it not have been two women and two men to be politically correct? Also, the supposedly intelligent women in this movie behave in a typical old-fashioned Hollywood stereotype of women way. They are mostly downright silly. If I were a feminist I would actually have been insulted by this movie.
Then we have the male clerk that is dummer than a piece of rock. If someone had stacked four supposedly intelligent men and a single blond bimbo that is totally devoid of any trace of intelligence together in a movie the social justice warriors would have cried foul so loud that you could hear it across the planet. But since it is four women and a stupid male it is okay (not really). It is even feminism according to some people. What a load of bollocks.
There is actually a story in the movie although it is well hidden under the silly jokes and silly behavior. It is paper thin and rather silly in itself but it could have worked if the rest of the movie was up to snuff but sadly it is not.
As I wrote above the only good thing about this movie is the special effects. The few scenes that I actually enjoyed was during the big shoot out at the end which had some cool moments. I especially liked when Jillian pulls a pair of pistols out of her Ghostbuster suit and goes on a ghost killing spray.
Apart from that this movie is best forgotten.
This movie is horrible. It plays like an overly long SNL sketch. The only saving grace is that this lost so much money that there will not be a sequel. Unfortunately for the fans, this means that the franchise is likely dead in the water for a long time.
This movie is a disaster. The casting is way off. The special effects are mediocre. The story is merely a retread from the original... and they shoot the original logo in the crotch. There is nothing good about this production. What a waste of a perfectly good franchise.
As a male nerd who grew up in the 1980's watching both original movies and the cartoon, running around with my toy proton pack and catching imaginary ghosts in my basement, I should be of the demographic complaining about how this ruins my childhood or that a cast of all women is just a stunt in the name of political correctness, or whatever their issue is. But the truth is, I REALLY enjoyed this movie.
The four female leads were absolutely hilarious--especially Kate McKinnon who steals every scene she is in. The other three characters have more growth, more of a story arc, and are more fleshed out as people in general. But McKinnon makes the most out of the available material and creates a very fun and memorable character.
The comedy of the 2016 version, while equally effective, is completely different from the dry humor of the original. The absence of Dan Aykroyd's and Harold Ramis's ludicrously funny lines delivered with a straight face, and the deadpan humor of Bill Murray has been switched out with a more over-the-top and in-your-face style of humor. It's not as subtle. Ghostbusters (1984) made me chuckle; Ghostbusters (2016) made me laugh out loud.
While a lot of the original's comedy came from the ghosts themselves, i.e. that they're funny instead of legitimately scary, the new version reverses that. There is some very creepy imagery involving things like old timey parade balloons, ghosts pushing against mirrors, and other things that seemed inspired by American Horror Story. Plus, there were some good jump scares, boo moments, that actually caught me off guard.
Much like a guitar amp out of Spinal Tap, this film turns both the scares and the comedy up to 11 with great results.
I haven't had this much fun at a movie in a long time. The trailer is NOT a valid way to judge this film. The trailer seemed to splice together all the ineffective moments and jokes of the film. But those were the exceptions and not the rule. The rule here is fun, entertainment, laughs, and the occasional scare. When the film works, it works remarkably.
The only real misstep was Chris Hemsworth's character. While the gender role reversal of the hot blonde ditz secretary was brilliant and long overdue in a mainstream summer movie, he was just too dumb to be believable. The character of Kevin belonged in a cartoon and not a legitimate movie.
The best line in the movie references Jaws and Annie Potts' cameo made me cheer.
However...
If you've already decided you hate this movie without even seeing it, you probably won't like it. That's how these things usually work. But, if you have an open mind and are reserving judgement, I suggest you see it. You will be pleasantly surprised.
I didn't watch this for quite a while because I heard so many bad things about it. "What do they know?" I thought to myself. I figured _Ghostbusters_ had already had a bad sequel I sort of enjoyed, a bad remake should be sort of enjoyable too. Besides, you just **know** that so many of the complaints were exclusively because the cast had been of the dreaded ~~fEmaLe VeRsiOn~~ variety. But I just watched it, and... Oh man you guys, this really did suck. I'm devastated.
_Final rating:★½: - Boring/disappointing. Avoid where possible._
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Filmteam
Coordination art Department : Vian Zlaty
Stunt coordinator : Adelia Rasha
Script layout : Kerian Foster
Pictures : Jodine Sestier
Co-Produzent : Zdenek Ariana
Executive producer : Jenine Briac
Director of supervisory art : Keela Pérez
Produce : Mendoza Dicle
Manufacturer : Longet Dilly
Actress : Everest Finley
Dr. Hess Green becomes cursed by a mysterious ancient African artifact and is overwhelmed with a newfound thirst for blood. Soon after his transformation he enters into a dangerous romance with Ganja Hightower that questions the very nature of love, addiction, sex, and status.
4.9
36
Da Sweet Blood of Jesus 2014 Google Docs | |
Clock | 117 minute |
Release | 2014-06-22 |
Kuality | DAT 1440p HDRip |
Genre | Thriller, Comedy, Romance, Drama |
language | English |
castname | Kelcy J. Mariane, Hajirah O. Keefe, Faunia C. Asra |
Watch Da Sweet Blood of Jesus 2014 Rent Online
Film kurz
Spent : $972,643,900
Revenue : $576,881,088
category : Völkermord - Speech , Blaxploitation - Management , Melodramma telefilm - Super Heroes gesunder Menschenverstand , Krieg - Neuseeland
Production Country : Slowakei
Production : Digest Television
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